In & Out of Amsterdam

1960–1976

The Museum of Modern Art - MoMA

Sunday 19 July 2009 to Monday 05 October 2009
This exhibition examines approximately 120 works by artists of different nationalities relating to travel and the city of Amsterdam, which was the nexus of intense art activities in the 1960s and 1970s, when artists converged there from all over the world.

Hanne Darboven, Gilbert & George, Charlotte Posenenske, Allen Ruppersberg, and Lawrence Weiner, among others, spent considerable amounts of time in Amsterdam and often produced works in direct relation to the city. The Suriname-born Stanley Brouwn came to Amsterdam as a young adult in the mid-1950s, where he developed work that plays with the idea of dimensions and distances and prefigures a number of conceptual-based art practices. Reciprocally, some of the most influential Dutch artists traveled abroad extensively before establishing themselves in Amsterdam: Jan Dibbets studied in London, while Ger van Elk and Bas Jan Ader trained in Los Angeles. Because cross-influences between Dutch and American art scenes were so abundant, it is impossible to understand the historical significance of these artists without acknowledging their new mobility. The exhibition includes, in addition to drawings, installations, wall drawings, and films, a large number of posters, artists’ books, and ephemera.
The Paul J. Sachs Prints and Illustrated Books Galleries, second floor

Location

The Museum of Modern Art - MoMA
11 West 53 Street
Midtown Manhattan Precinct
New York
United States
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IN AND OUT. OUT AND IN. AND IN AND OUT. AND OUT AND IN. 1971.
© All rights reserved Lawrence Weiner/Artists Rights Society (ARS), New York. Photograph: Ghislain Mollet-Viéville 2009 United States
Lawrence Weiner. (American. b. 1942). Language + the materials referred to, dimensions variable. Installation view, residence of Ghislain Mollet-Viéville, 26 rue Beaubourg, Paris, 1984.
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100 Books 00–99. 1970.
© All rights reserved Hanne Darboven 2009 United States
Hanne Darboven. (German, 1941-2009) One hundred books, 365 or 366 pages each, offset printed, each 10 15/16 x 8 7/16 x 1 7/16" (27.8 x 21.5 x 3.7 cm). Installation view, Art & Project, Amsterdam, October 24–November 13, 1970. Collection the artist
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Untitled. c. 1972.
© All rights reserved Hanne Darboven 2009 United States
Hanne Darboven. (German, 1941-2009). Ink on ten pieces of transparent paper (one shown), each 11 5/8 x 16 1/2" (29.5 x 41.9 cm). The Museum of Modern Art, New York. Art & Project/Depot VBVR Gift.
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The Shortest Day at my House in Amsterdam. 1970.
© All rights reserved Jan Dibbets/Artists Rights Society (ARS), New York 2009 United States
Jan Dibbets. (Dutch, born 1941). Eighty chromogenic color prints on acrylic sheet, overall 69 3/8 x 84 1/4" (176.2 x 214 cm). Musée d’Art Moderne de la Ville de Paris, France.
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Untitled. 1969.
© All rights reserved Jan Dibbets/Artists Rights Society (ARS), New York 2008 United States
Jan Dibbets. (Dutch, born 1941). Photolithographed postcard, 4 1/16 x 6 1/16” (10.3 x 15.4 cm). Publisher: Seth Siegelaub, New York. Edition: approx. 1,200. The Museum of Modern Art, New York. Art & Project/Depot VBVR Gift
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The Tuileries. 1974.
© All rights reserved Gilbert & George 2009 United States
Gilbert & George. George Passmore. (British, born 1942) and Gilbert Proesch. (British, born Italy 1943). Charcoal on paper sculpture (drawings hung on wall and mounted on wood), eight parts, overall dimensions variable.
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An Artist’s Impression of Gilbert & George/Sculpture. 1970.
© All rights reserved Gilbert & George 2009 United States
Gilbert & George. George Passmore. (British, born 1942) and Gilbert Proesch. (British, born Italy 1943). Pencil on canvas, 25 x 30" (63.5 x 76.2 cm). The Museum of Modern Art, New York. Art & Project/Depot VBVR Gift.
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Art & Project Bulletin 89. August 1975.
© All rights reserved The Museum of Modern Art Digital Imaging Studio 2009 United States
Bas Jan Ader. (Dutch, 1942-1975). Photolithographed bulletin, 11 5/8 x 16 9/16" (29.6 x 42 cm) (unfolded).
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Fall 1, Los Angeles. 1970.
© All rights reserved MoMA 2009 United States
Bas Jan Ader. (Dutch, 1942-1975). Film: 16mm, black-and-white, silent, 24 seconds. Museum Boijmans Van Beuningen, Rotterdam. Courtesy of the Bas Jan Ader Estate and Patrick Painter Editions
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Fall 2, Amsterdam. 1970.
© All rights reserved MoMA 2009 United States
Bas Jan Ader. (Dutch, 1942-1975). Film: 16mm, black-and-white, silent, 19 seconds. Museum Boijmans Van Beuningen, Rotterdam. Courtesy of the Bas Jan Ader Estate and Patrick Painter Editions
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Map of Amsterdam with the Area Between Emma-Plein, Europa-Plein, Ooster Park, Nieuwmarkt, and Bus St
© All rights reserved Sol LeWitt/Artists Rights Society (ARS), New York. 2009 United States
Sol LeWitt. (American, 1928-2007). Cut-out city map, 25 13/16 x 32 1/8” (65.6 x 81.6 cm). The National Gallery of Art, Washington.
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Area of Amsterdam Between Leidseplein, Jan Dibbet's House, and Kunstijsbaan Japeden. September 4, 19
© All rights reserved Sol LeWitt/Artists Rights Society (ARS), New York 2008 United States
Sol LeWitt. (American, 1928-2007) Cut-out city map, 4 7/8 x 18 3/4" (12.4 x 47.6 cm) (irreg.). The Museum of Modern Art, New York. Art & Project/Depot VBVR Gift.
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Series D. 1967.
© All rights reserved Courtesy of Burkhard Brunn, Frankfurt/M., estate Charlotte Posenenske. 2009 United States
Charlotte Posenenske. (German, 1930-1985) Hot galvanized sheet steel, overall dimensions variable. Installation view, Art & Project, Amsterdam, September 20–October 16, 1968.
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Series D. 1967.
© All rights reserved Courtesy of Burkhard Brunn, Frankfurt/M., estate Charlotte Posenenske. 2009 United States
Charlotte Posenenske. (German, 1930-1985) Hot galvanized sheet steel, overall dimensions variable. Installation view, Art & Project, Amsterdam, September 20–October 16, 1968.
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Between the Scenes. 1973.
© All rights reserved Allen Ruppersberg 2009 United States
Allen Ruppersberg. Nine chromogenic color prints (one shown) with nine typewritten sheets; each photograph: 6 1/2” x 9 11/16” (16.5 x 24.6 cm); each sheet: 11 x 8 1/2” (28 x 21.6 cm).
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Muscles on the Run. 1972.
© All rights reserved Allen Ruppersberg 2009 United States
Allen Ruppersberg. (American, b. 1944). Seven chromogenic color prints (one shown) with seven typewritten sheets; each photograph: 7 5/8” x 7 5/8” (19.3 x 19.3 cm); each sheet: 11 1/4 x 8 1/2” (28.6 x 21.6 cm).
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Where’s Al? 1972.
© All rights reserved Allen Ruppersberg 2009 United States
Allen Ruppersberg. (American, b. 1944). 160 chromogenic color prints with 110 typewritten index cards, dimensions variable. Installation view, Pomona College Art Gallery, Claremont, CA, October 31–November 22, 1972.
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The Co-Founder of the Word O.K.—Marken (No. 5). 1971, printed in 1999.
© All rights reserved Ger van Elk 2009 United States
Ger van Elk. (Dutch, b. 1941). Chromogenic color print., 27 9/16 x 27 9/16” (70x70 cm.) Collection of the artist. Photograph: Michiel van Nieuwkerk, Amsterdam
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Paul Klee—Um den Fisch, 1926 (Around the Fish). 1970.
© All rights reserved Ger van Elk 2009 United States
Eight color slides (one shown) projected on wood table with white cloth; table dimensions 27 9/16 x 26 3/4 x 21 5/8” (70 x 68 x 55 cm). Collection Rijksmuseum Twenthe, Enschede, the Netherlands. Permanent loan, Depot VBVR.
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Various issues of Art & Project Bulletin mailed to publisher Willoughby Sharp, curator Kynaston McSh
© All rights reserved MoMA 2009 United States
The Museum of Modern Art Library. The Museum of Modern Art Digital Imaging Studio, photograph: John Wronn