Ron Arad

No Discipline

The Museum of Modern Art - MoMA

Sunday 02 August 2009 to Monday 19 October 2009

The first major U.S. retrospective of Arad’s work. Among the most influential designers of our time, Arad (British, b. Israel 1951) stands out for his adventurous approach to form, structure, technology, and materials in work that spans the disciplines of industrial design, sculpture, architecture, and mixed-medium installation.

Among the most influential designers of our time, Arad (British, b. Israel 1951) stands out for his adventurous approach to form, structure, technology, and materials in work that spans the disciplines of industrial design, sculpture, architecture, and mixed-medium installation. Arad’s relentless experimentation with materials of all kinds—from steel, aluminum, and bronze to thermoplastics, crystals, fiberoptics, and LEDs—and his radical reinterpretation of some of the most established archetypes in furniture—from armchairs and rocking chairs to desk lamps and chandeliers—have put him at the forefront of contemporary design.

The exhibition features approximately 140 works, including design objects and architectural models, and 60 videos. Most of the objects featured in the exhibition are displayed in a monumental Corten-and-stainless-steel structure specially designed by the artist called Cage sans Frontières (Cage without Borders). The structure measures 126.5 feet (38.5 meters) long, spanning the entire length of the Museum’s International Council gallery, and over 16 feet (5 meters) tall. The exhibition is organized by Paola Antonelli, Senior Curator, and

Patricia Juncosa Vecchierini, Curatorial Assistant, Department of Architecture and Design, The Museum of Modern Art.

Ms. Antonelli states: “Arad is well known for his iconoclastic disregard for disciplines—and, at least apparently, for discipline. He has defined much of the current panorama of design, inspiring a generation of practitioners who disregard established modes of practice in favor of mutant design careers that are flexible enough to encompass the range of contemporary design applications, from interactions and interfaces to furniture and shoes.”

The International Council of The Museum of Modern Art Gallery,

sixth floor

Location

The Museum of Modern Art - MoMA
11 West 53 Street New York, NY 10019-5497
Midtown Manhattan Precinct
New York
United States
Strangely designed chair, composed of vertical fragments
Oh-Void 2. 2006
© All rights reserved Ron Arad 2009 United States
Acrylic. 30 1/4 x 43 x 23 5/8" (76.8 x 109.2 x 60 cm) Edition by The Gallery Mourmans, The Netherlands Photo courtesy of Private Collection, USA. Photo Erik and Petra Hesmerg
Building balancing on snow topped peak
Panoramic Restaurant at Les Diablerets, Gstaad. Project. Video. 2007
© All rights reserved Ron Arad 2009 United States
Courtesy of Ron Arad Associates, London
Chair looks like giant metal bubble falling apart
Sketch for Southern Hemisphere. 2007 N.d.
© All rights reserved Ron Arad Associates, London 2009 United States
Courtesy of Ron Arad Associates, London
-
MT Rocker Chair. 2005
© All rights reserved Ron Arad 2009 United States
Polished stainless steel. 31 1/2 x 29 1/2 x 41 5/16" (80 x 75 x 105 cm). Edition by Ron Arad Associates, London Photo by Eric and Petra Hesmerg. Courtesy of Private Collection, Maastricht
Chandalier with text projected on to it
Lolita. 2004
© All rights reserved Ron Arad 2009 United States
Crystals and LEDs. H. 59" (150 cm), top-plate diam. 43 1/4" (110 cm). Edition by Swarovski. Photo courtesy of Ron Arad Associates, London
-
Well Tempered Chair. Prototype. 1986
© All rights reserved Ron Arad 2009 United States
Sprung stainless steel and wing nuts. 31 1/2 x 39 3/8 x 31 1/2" (80 x 100 x 80 cm). Prototype by Vitra GmbH, Germany Photo courtesy of Vitra Design Museum, Weil am Rhein, Germany
-
The Rover Chair. 1981
© All rights reserved Ron Arad 2009 United States
Painted tubular steel and leather. 30 3/4 x 27 3/16 x 36 1/4" (78 x 69 x 92 cm). Edition by One Off, London. Photo by Eric and Petra Hesmerg. Courtesy of Private Collection, Maastricht
Chair composed of large sculped-out metal ball
Southern Hemisphere. 2007
© All rights reserved Ron Arad 2009 United States
Southern Hemisphere. 2007. Patinated aluminum. 51 x 52 x 52" (129.5 x 132.1 x 132.1 cm). Edition by The Gallery Mourmans, The Netherlands. Photo by Eric and Petra Hesmerg. Courtesy of Private Collection, Maastricht
Installation
Rendering of the installation of Ron Arad: No Discipline at The Museum of Modern Art featuring Cage
© All rights reserved Ron Arad 2009 United States
Ron Arad and Associates. © 2009
-
Rendering of the exhibition Ron Arad: No Discipline at The Museum of Modern Art. Foreground: Lolita
© All rights reserved Ron Arad 2009 United States
Background: Cage sans Frontières (Cage without Borders). © 2009 Ron Arad and Associates.
-
Y’s Store, Roppongi Hills, Tokyo. Video. 2003
© All rights reserved Ron Arad 2009 United States
Courtesy of Ron Arad Associates, London
Stereo System components made from stone looking concrete
Concrete Stereo. 1983
© All rights reserved Ron Arad 2009 United States
Turntable, amplifier, two speakers, and electronic components embedded in concrete. Dimensions variable Edition by One Off, London. Photo courtesy of The Gallery Mourmans, Maastricht. Photo Erik and Petra Hesmerg
Bookshelf composed of articulated metal ribbon
Narrow Pappardelle. 1992
© All rights reserved Ron Arad 2009 United States
Woven stainless steel mesh and steel. 40 3/16" x 6' 9 5/16" x 23 5/8" (102 x 206.5 x 60 cm). Edition by One Off/Ron Arad Associates, London. Photo by Bruno Scott. Courtesy of Fonds national d'art contemporain