Kiki Smith: Sojourn
Elizabeth A. Sackler Center for Feminist Art, 4th Floor
Brooklyn Museum of Art
An important eighteenth-century silk needlework by a young woman named Prudence Punderson, The First, Second and Last Scene of Mortality (Collection of the Connecticut Historical Society), which provided original inspiration for Smith’s installation, is included in the exhibition. Punderson’s stark depiction of a woman’s journey from childhood to death in the years leading up to and immediately after the United States gained its independence intrigued Smith because rather than following the stereotypical rites of passage in a woman’s life of the period—marriage, family, and domestic life—this young woman chose to depict a life of the mind for her subject, presenting a woman engaged in creative work.
In Sojourn, Smith, who is known for a psychologically acute, non-narrative approach to constructing installations, begins from the position of the adult female artist and cycles through a series of experiences and artistic genres that venture far beyond the autobiographical. Religion, mythology, and spirituality surface repeatedly throughout Smith’s work, and in this installation, the Annunciation is used as a metaphor for identifying the unknown and unexpected sources female artists draw upon for inspiration. Sojourn presents a variety of work by the artist in a range of media, including unique sculpture, cast objects, collage, drawing, and photography. To extend the conceptual relationships she will develop in the Sackler Center galleries, Smith will also incorporate two eighteenth-century period rooms in the Museum’s nearby Decorative Arts galleries into her project.
The exhibition at the Brooklyn Museum is the fourth site-specific installation of a long-term project by the artist that originated at Museum Haus Esters, Krefeld, Germany (March 16–August 24, 2008), before traveling to Kunsthalle Nürnberg (September 18–November 16, 2008) and Fundació Joan Miró, Barcelona (February 19–May 24, 2009).
This exhibition is organized by Catherine J. Morris, Curator of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2008 United States
Cast aluminum, white gold and gold leaf. 31-1/2" x 42-1/2" x 42" (80 cm x 108 cm x 106.7 cm). Photo detail by: Joerg Lohse/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2010 United States
Cast aluminum, white gold and gold leaf. 31-1/2" x 42-1/2" x 42" (80 cm x 108 cm x 106.7 cm). Photo by: Joerg Lohse/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2008 United States
Cast aluminum. 65" x 27" x 24" (165.1 cm x 68.6 cm x 61 cm). Photo detail by: Volker Dohne/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2008 United States
Papier-mâché with muslin. 80" x 30" x 40" (203.2 cm x 76.2 cm x 101.6 cm), overall. Photo by: Volker Dohne/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2007 United States
Ink, graphite, colored pencil, mica, glitter and collage on Nepal paper. 87" x 85" (221 cm x 215.9 cm). Photo by: Ellen Labenski/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2008 United States
Collage and ink on Nepal paper. 8' 2-1/2" x 6' 9-1/2" (250.2 cm x 207 cm). Photo by: Kerry Ryan McFate/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2007 United States
Ink, graphite, colored pencil, and collage on Nepal paper. 8' 5" x 4' 8-3/4" (256.5 cm x 144.1 cm). Photo by: Ellen Labenski/ Courtesy PaceWildenstein, New York
© All rights reserved Kiki Smith, Courtesy PaceWildenstein, New York 2008 United States
Ink on Nepal paper with lithographic crayon. 96" x 8' 8-3/4" (243.8 cm x 266.1 cm). Photo by: G.R. Christmas/ Courtesy PaceWildenstein, New York
