Norman Rockwell: Behind the Camera

Robert E. Blum Gallery, 1st floor

Brooklyn Museum of Art

Friday 18 February 2011 to Tuesday 24 May 2011
Beginning in the late 1930s, Norman Rockwell adopted photography as a tool to bring his illustration ideas to life in studio sessions. Working as a director, Rockwell carefully staged his photographs, selecting props and locations, choosing his models, and orchestrating every last detail.

He created an abundance of photographs for each new subject, sometimes capturing complete compositions and other times combining separate pictures of individual elements. These photographs were the focus of a recently completed two-year project at the Norman Rockwell Museum, which preserved and digitized almost 20,000 negatives. For the first time, Norman Rockwell: Behind the Camera presents these study photographs alongside his paintings, drawings, and related tear sheets to offer a fascinating look at the artist’s process.

Organization: Norman Rockwell: Behind the Camera is organized by the Norman Rockwell Museum in Stockbridge, Massachusetts. The Brooklyn Museum presentation is organized by Sharon Matt Atkins, Associate Curator of Exhibitions, Brooklyn Museum.

Publication: A companion book by Ron Schick of the same title, published by Little, Brown, accompanies the exhibition.

Tour: The Norman Rockwell Museum, Stockbridge, Massachusetts, November 7, 2009–May 31, 2010; more venues to be announced.

Location

Brooklyn Museum of Art
200 Eastern Parkway
Brooklyn Precinct
New York
United States
Oh Boy! It’s Pop with a New Plymouth!
© All rights reserved Norman Rockwell 2011 United States
Tearsheet Advertisement for Plymouth, 1951 Frame Dims. 14 ¾” x 11 ¾” x 1 ½” Norman Rockwell Museum Archival Collections
The Tattoo Artist, 1944
© All rights reserved Norman Rockwell 2011 United States
Cover illustration for The Saturday Evening Post, March 4, 1944 Oil on canvas 43 x 33 in. Collection of the Brooklyn Museum Gift of the artist, 69.8 ©1944SEPS: Curtis Publishing, Indianapolis
Photograph for The Tattoo Artist, 1944
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, March 4, 1944 11 ¼ x 8 ¾ in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
Photograph for The Tattoo Artist, 1944
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, March 4, 1944 11 ¼ x 8 in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
Photograph for The Tattoo Artist, 1944
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, March 4, 1944 11 ¼ x 8 ¾ in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
The Dugout, 1948
© All rights reserved Norman Rockwell 2011 United States
Cover illustration for The Saturday Evening Post, September 4, 1948 Transparent and opaque watercolor over graphite on two sheets of conjoined cream, moderately thick, moderately textured wove paper 19 x 17 13/16 in. Collection of the Brooklyn Museum Gift of Kenneth Stuart, 71.124 ©1948SEPS: Licensed by Curtis Publishing, Indianapolis
The Dugout, 1948 Tear sheet, The Saturday Evening Post, September 4, 1948
© All rights reserved Norman Rockwell 2011 United States
13 5/8 x 10 5/8 in. Norman Rockwell Museum Archival Collections ©1948SEPS: Curtis Publishing, Indianapolis
Photograph for The Dugout, 1948 Study for The Saturday Evening Post, September 4, 1948
© All rights reserved Gene Pelham 2011 United States
Norman Rockwell Art Collection Trust Licensed by Norman Rockwell Licensing, Niles, Illinois
The Problem We All Live With, 1964
© All rights reserved Norman Rockwell 2011 United States
Tear sheet, Look, January 14, 1964 13 ¼ x 20 ¾ in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
Shuffleton’s Barbershop, 1950
© All rights reserved Norman Rockwell 2011 United States
Cover Illustration for The Saturday Evening Post, April 29, 1950 Oil on canvas 45 ¾ x 42 ½ in. Collection of the Berkshire Museum, Pittsfield, MA ©1950SEPS: Curtis Publishing, Indianapolis
Photograph for Shuffleton’s Barbershop, 1950
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, April 29, 1950 11 5/16 x 7 15/16 in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
Soda Jerk, 1953
© All rights reserved Norman Rockwell 2011 United States
Tear sheet, The Saturday Evening Post, August 22, 1953 13 5/8 x 10 5/8 Norman Rockwell Museum Archival Collections ©1953SEPS: Curtis Publishing, Indianapolis
Photograph for Soda Jerk, 1953
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, August 22, 1953 9 ½ x 7 9/16 in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
Photograph for Soda Jerk, 1953
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, August 22, 1953 11 ¼ x 8 5/8 in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
The Gossips, 1948
© All rights reserved Norman Rockwell 2011 United States
Tear sheet, The Saturday Evening Post, March 6, 1948 13 5/8 x 10 5/8 in. Norman Rockwell Museum Archival Collections ©1948SEPS: Curtis Publishing, Indianapolis
Going and Coming, 1947
© All rights reserved Norman Rockwell 2011 United States
Tear sheet, The Saturday Evening Post, August 30, 1947 13 5/8 x 10 5/8 in. Norman Rockwell Museum Archival Collection ©1947SEPS: Curtis Publishing, Indianapolis
Photograph for Going and Coming, 1947
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, August 30, 1947 11 1/4 x 15 5/8 in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
Girl at Mirror, 1954
© All rights reserved Norman Rockwell 2011 United States
Tear sheet, The Saturday Evening Post, March 6, 1954 13 5/8 x 10 5/8 in. Norman Rockwell Museum Archival Collections ©1954SEPS: Curtis Publishing, Indianapolis
Photograph for Girl at Mirror, 1954
© All rights reserved Gene Pelham 2011 United States
Study for The Saturday Evening Post, March 6, 1954 11 1/4 x 8 7/8 in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois
New Kids in the Neighborhood, 1967
© All rights reserved Norman Rockwell 2011 United States
Tear sheet, Look, May 16, 1967 13 x 20 ½ in. Norman Rockwell Museum Archival Collections Norman Rockwell Licensing, Niles, Illinois