Yap Chin Hoe

Chin Hoe has finessed a refreshing contemporary interpretation of classic Western still-life – the Oriental antique-wares bring grace and poise to an otherwise traditional theme. Intricate details – the flutter of dragonfly wings, soft tendrils of foliage, graceful translucent drapes – and a more vivid palette have infused his recent artworks with a new vitality.

It is, as if by chance, that the elements in the paintings have come together, in a harmony that cannot be attained by deliberate design, but by some quirk of fate, that reveals the poetry and enchantment that is intrinsic to life.

Yap Chin Hoe’s artistic talent was apparent from a young age, and he furthered his art education at the Malaysia Institute of Art. From his early watercolours of Malaysian scenes, Chin Hoe has developed a distinctive style that is uniquely Asian, yet universally appreciated.

In his latest series, a continuation of the Oriental Passage Series II, bright hues dominate, with elaborate details deftly illustrated. Delicate brushstrokes reveal a meticulous quest to capture the ethereal quality of the antique porcelain, while brilliantly coloured Nonya fabrics serve as a counterpoint to the austerity of the blue and white china. The image of raucous Peranakan revelry comes to mind when flamboyant tapestries are paired with equally dramatic wares.

Doubtlessly, Chin Hoe has achieved an astounding feat in his artistry. As he explores his Malaysian Chinese heritage in pursuit of art’s zenith, his paintings have imparted their priceless aura of Zen tranquility to art-lovers. Greatness is expected of this artist for whom serendipity has worked its magic.

For all enquiries including further images please contact the gallery directly.

http://www.catherineasquithgallery.com/yapchinhoe