Hank Willis Thomas: “Unbranded”
Brooklyn Museum of Art
From the original ads, taken from popular magazines such as Ebony and Essence, the artist digitally removed all text as well as logos. The remaining figures and scenarios are often both captivating and perplexing, especially in juxtaposition with the sometimes witty and provocative titles given to each image by the artist (which include the original date of the ad followed by the date of the Willis Thomas work).
Starting with ads from 1968, a dramatic year in American history as well as a turning point for the Civil Rights Movement, Willis Thomas seeks to reveal visual advertising strategies that are based on cultural stereotypes about African American life. Through his method of “unbranding,” the artist exposes how commodity culture’s generalizations about race, gender, and ethnicity have come to seem almost natural to consumers.
© All rights reserved Hank Willis Thomas (American, b. 1976). 2007 United States
Chromogenic photograph, 34 1/8 x 30 in. (86.7 x 76.2 cm). Brooklyn Museum, Mary Smith Dorward Fund and gift of Robert Smith, by exchange, 2010.18.1
© All rights reserved Hank Willis Thomas 2011 United States
