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Stills Gallery

Mark Kimber, Truck stop 2008, pigment print
In Edgeland, Mark Kimber continues his use of vivid primary coloured images to portray the urban landscape in an unfamiliar way. Objects in the environment are isolated and made strange, walls and house facades appear surreal and two dimensional, skies are brilliant blue, vegetation a lurid gree…
November 2008
Chris Fortescue, Naturalism #2 2008, pigment print
Scans of scrap newspaper and packaging are transformed into delicate symmetrical shapes. Appearing like isolated microscopic studies, these are science fictions in their own right.
November 2008
Polixeni Papapetrou
In Games of Consequence, Papapetrou explores the symbolic space of childhood today. Her images delve into the hollows of childhood spaces (physical, psychological and emotional), their games and practises. By recreating playful and sometimes emotional exchanges through her child models, she re-en…
September 2008
Beverley Veasey
Beverley Veasey’s 2006 series Natural History depicted animals and birds in artificial environments. In this new body of work, Habitats, her interest in the artificial continues however this time the inhabitants, the animals, are nowhere to be found.
September 2008
Christine Cornish, STRETTO, 2008
Stretto, from the Latin to draw close, is Christine Cornish’s latest body of work. In keeping with earlier works, Cornish has created simple yet profound compositions that are also philosophical in intent.
August 2008
Robyn Stacey, Mr Macleay's Fruit and Flora, 2008
Robyn Stacey’s most recent work re-creates the lost garden of Elizabeth Bay House once world famous not only for the Australian natives but for the exotics imported from China, India, and the Cape of Good Hope and South America. Her artwork gives us access to important historical collections and …
August 2008

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